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※ 引述《ash1118 (這些年來)》之銘言：: 《曼哈頓戀習曲》裡男主角說「想要了解一個人只要點開他的音樂清單就能一目了然。」: 這讓我非常喜歡《曼哈頓戀習曲》，特別是在臉書貼歌曲連結都不太有人會點聽的現在。: 這是個失業潦倒的音樂經紀，在live吧遇上因男友走紅劈腿的失戀詞曲創作小姐的故事，: 故事結構跟導演約翰卡尼的上一部片《曾經。愛是唯一》差不多，都可以用同段話描述：: 都有那麼兩個各自帶著情傷的音樂人因為音樂走到一起組團創作，最後重拾破碎的生活。: 電影在綺拉奈特莉被好友拱上台唱的創作歌曲【A Step You Can't Take Back】中開始，: 清唱裡倒敘拉回綺拉這幾天跟男友的分手事件，當演到她被收容她的好友拱上台唱歌時，: 電影又再次倒敘了台下那個身體隨著歌聲打起節拍的潦倒大叔，今天有多麼丟臉的失業，: 一個人醉醺醺的晃進酒吧，整張臉垂頭喪氣埋進吧台，直到歌聲響起領他起身專注傾聽，: 同個場景同一首歌，在他目光所及的舞台上，閒置的樂器都在他腦補的編曲中活了過來，: 同個場景同一首歌，在一次次的倒敘中串接起了角色關係，更聚焦了歌聲裡的相遇一刻。: 當歌曲唱到「R u ready for the last act to take a setp~ U can't take back」時，: 台上台下經歷打擊的兩個人，似乎也像歌裡唱的，被音樂帶出低谷，準備好踏出下一步…: 從樂團轉行拍電影的導演，這一段真是拍的太完美了，不管用聽的還是看的，都是享受！: 在紮實動人的劇情推展中，電影沒變 MV 集錦大鍋炒的災難，反而透著紐約和煦的陽光。: 我愛它「整個城市都是你的錄音間」，讓雜牌樂隊在紐約地鐵、帝國大廈旁的公寓天台、: 中央公園湖心小舟、破陋餐館後巷裡打游擊式的演奏，連同城市的呼吸與聲囂一併收音；: 愛邋遢大叔馬克魯法洛跟綺拉奈特莉，漫步在燈火闌珊的紐約，靠分線器共享私秘歌單，: 一路上只聽音樂不說話，從歌曲裡細細讀心，而整個城市也跟著耳機裡的音樂溫柔起來；: 特別是他倆聽著《北非諜影》 【as time goes by】看著再尋常不過的街景時，大叔說：: 『我所以喜歡音樂，是因為…你看，眼前生活中普通的一幕，因為你耳邊的音樂突然間: 充滿了意義，所有瑣事都變成了善良無暇的珍珠』 U Know, Now, U r a Pearl too.: 音樂明媚了百無聊賴的這夜，那些順理成章就要發生的事，卻因為搞笑的意外嘎然而止，: 哈，導演給大家開了個美麗的玩笑，而且最後的最後，電影沒有給我們期待的甜蜜愛情，: 但醬不也挺好，情人終究會分離，但志趣相投的知音總能情誼長在、擁有那最美的怦然。: 不管音樂、文學、回憶，或是我們正書寫談論的電影，我們是不是都有珍珠一般的時刻？: 老實說，看到電影裡頭牢騷不少的馬克魯法洛大叔，我想起了同樣鍾愛紐約的伍迪艾倫，: 只是導演約翰卡尼樂觀純情得多，也因此，鏡頭下的紐約更透著一股文藝小清新的明朗。: 我們總愛設想在忙碌的交通、擁擠的大城裡，每扇窗後，每個匆忙的路人藏了多少故事？: 電影的最後，那個率性、獨立，總愛捲起牛仔褲管的英國女生 found herself.那妳呢？: ---: 圖文網誌 http://ash1118.pixnet.net/blog/post/44352160 Take the last act you can't take back 是要自殺的意思， 歌的前段是生活看似到谷底要自殺了， 第二段才是重新出發， Mark Ruffalo是聽到第一段有共鳴，第二段被療癒及激發靈感，才有後續的發展， 也呼應電影的副標：Can a song save your life? 小小補充...... -- ※ 發信站: 批踢踢實業坊(ptt.cc), 來自: 180.217.141.114※ 文章網址: http://www.ptt.cc/bbs/movie/M.1419739793.A.F03.html
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就與傳統硬碟一樣，固態硬碟在使用一段時間後，往往也會出現速度下降的情況，就傳統硬碟而言，是因為內部的檔案碎片逐漸增加，造成資料變得分散不連續，硬碟讀取頭需要花更多時間，才能反覆移動到正確的軌道進行存取，這時透過硬碟重組的動作，盡量讓資料連續排在一起，就能減少過程時間的浪費，加速存取效率。
